首选播放超清线路

首选线路

一号线路

三号线路

五号线路

剧情简介

欧洲的某个地方是由Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki等主演的剧情 类影视作品。 是著名导演Radványi,Géza于1948 年拍摄于其它 的代表作品。 本片主要介绍了:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 本站www.zhenbuka666.com收藏于:

2025-02-09 20:41:35


《欧洲的某个地方》部分常见的相关问题



欧洲的某个地方影片的精彩影评

  • 云游猫侠
    云游猫侠 15分钟前
    说真的,《欧洲的某个地方》虽然没有什么复杂的情节,但其中所展现的真挚情感令人动容。这网站的播放速度也挺快的,经常看剧的朋友还是值得收藏一下。

  • 影视评论家007
    影视评论家007 30分钟前
    《欧洲的某个地方》让我感到非常失望,故事情节完全是老掉牙的套路,没有任何新意。即使是由Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki这样的实力派主演,也无法拯救如此平庸的剧本。真的很难理解这部电影是如何获得如此多的期待。

  • 电影狂热菲儿
    电影狂热菲儿 40分钟前
    这部片子绝对是今年最惊艳的影片之一,尤其是影片的拍摄手法和氛围营造。Radványi,Géza用细腻的镜头语言诠释了一个深刻的故事,让人回味无穷。对于喜欢文艺片的观众来说,这是不容错过的佳作。

  • 白日梦想家琳琳
    白日梦想家琳琳 55分钟前
    虽然剧情有些薄弱,但不得不承认Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki的表演是这部影片最大的亮点。人物刻画得非常细腻,只是导演没有更好地把控节奏,使得整部片子显得拖沓冗长。总体而言,值得一看,但也不必抱太高期待。

  • 月光下的影子
    月光下的影子 58分钟前
    这部电影无疑是一次大胆的尝试。导演在叙事和视觉风格上进行了许多突破,尽管不见得每个人都能接受这种风格,但这种勇敢的创作精神值得称赞。不过,某些情节过于晦涩,可能让普通观众感到困惑。

猜你喜欢



免责声明:本网站所有内容均系收集于各大网站,本站只提供WEB页面服务,并不提供影片资源储存也不参与录制与上传
若本站收录内容无意侵犯了贵公司版权,请给网页底部邮箱地址来信,我们会及时处理和回复,谢谢合作。

联系邮箱:
RSS订阅  -  百度蜘蛛  -  谷歌地图  -  神马爬虫  -  搜狗蜘蛛
奇虎地图  -  必应爬虫

统计代码