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不安0.0

类型:剧情  其它  1954 

主演:英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 

导演:罗伯托·罗西里尼 

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剧情简介

不安是由英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特等主演的剧情 类影视作品。 是著名导演罗伯托·罗西里尼于1954 年拍摄于其它 的代表作品。 本片主要介绍了:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie. 本站www.zhenbuka666.com收藏于:

2025-02-09 20:05:10


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不安影片的精彩影评

  • 云游猫侠
    云游猫侠 15分钟前
    说真的,《不安》虽然没有什么复杂的情节,但其中所展现的真挚情感令人动容。这网站的播放速度也挺快的,经常看剧的朋友还是值得收藏一下。

  • 影视评论家007
    影视评论家007 30分钟前
    《不安》让我感到非常失望,故事情节完全是老掉牙的套路,没有任何新意。即使是由英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特这样的实力派主演,也无法拯救如此平庸的剧本。真的很难理解这部电影是如何获得如此多的期待。

  • 电影狂热菲儿
    电影狂热菲儿 40分钟前
    这部片子绝对是今年最惊艳的影片之一,尤其是影片的拍摄手法和氛围营造。罗伯托·罗西里尼用细腻的镜头语言诠释了一个深刻的故事,让人回味无穷。对于喜欢文艺片的观众来说,这是不容错过的佳作。

  • 白日梦想家琳琳
    白日梦想家琳琳 55分钟前
    虽然剧情有些薄弱,但不得不承认英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特的表演是这部影片最大的亮点。人物刻画得非常细腻,只是导演没有更好地把控节奏,使得整部片子显得拖沓冗长。总体而言,值得一看,但也不必抱太高期待。

  • 月光下的影子
    月光下的影子 58分钟前
    这部电影无疑是一次大胆的尝试。导演在叙事和视觉风格上进行了许多突破,尽管不见得每个人都能接受这种风格,但这种勇敢的创作精神值得称赞。不过,某些情节过于晦涩,可能让普通观众感到困惑。

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